Show Notes
From creative to production, and even financing, there’s a lot to do if you want to make a film, and it’s rarely ever obvious where to start. With the submission deadline for Kinolime’s Short Film Competition (Sept. 18 / info below) only days away, Studio Head John Schramm sits down with Mike Gabrawy, Producer of Hotel Mumbai (2018), Resident Evil (2002), and Independence Day (1996), to discuss the process and hopefully ease some of that anxiety.
Short films are described as "popcorn"—they are meant to be consumed, and they serve as an effective way for filmmakers to demonstrate their ability to direct talent and tell a story within a "compartmentalized" structure.
They function as excellent "calling cards" that allow filmmakers to find their voice and launch careers.
The speaker notes a resurgence in short films due to a lack of entry barriers, highlighting how accessible technology, such as smartphones, has enabled compelling filmmaking on limited budgets.
Creative Guidelines and Best Practices
Duration: It is advised to keep short films under 10 minutes, with some being as short as three to four minutes.
Narrative Structure: Films should stand on their own as complete stories with a beginning, middle, and end, rather than functioning as "proof of concept" pieces designed to sell a larger, open-ended story.
Execution: Directors should focus on storytelling and craft, as seen in the work of filmmakers like Nash Edgerton.
Production and Financing
Building a Crew: When assembling a team, it is recommended to find people on an upward trajectory—such as an art director aiming to be a production designer—who bring experience and are willing to trade their time and labor for the project's success.
Financing:
Traditional financing for short films is often based on support from friends and family.
Filmmakers can seek resources, including grants, from organizations like Film Independent (formerly IFP West) and by investigating programs offered through major film schools like AFI, NYU, and USC.
Full Transcript
[00:00]
there's nothing worse than a short that's too long.
[00:02]
You want to make this short, you know, I don't know,
[00:06]
as close to 10 minutes and under as you can