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Han

Intergenerational trauma and family tension boil over for three Korean-American siblings at their father’s funeral as they construct a plan to cover up the circumstances of his death.
Genre: Comedy • Drama
Shooting Location: Orange County, CA
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Screenplay Synopsis:
The sudden death of their father reunites the Korean-American Song siblings for his funeral. DAVID SONG, the eldest son and the embodiment of Korean expectations, struggles to maintain his family’s appearance, concocting a plan to cover up the true nature of his father’s death. Fueled by the strayed relationship with her father, SABRING SONG, the middle child with red-dyed hair, refuses to play along. While MICHAEL SONG, the youngest of the siblings, drifts through the funeral proceedings in total detachment. Complications arise when the gossiping MRS. CHOI, an elderly Korean woman with permed hair and pearl earrings, begins to unravel the truth about their father’s death. Desperate for control and to prevent the information from spreading, David hastens the funeral proceedings. But, chaos erupts when Sabrina takes center stage at the church pulpit and reveals the truth: her father had killed himself a month ago despite adamantly denying the existence of depression in Sabrina when she herself was a teenager. David storms the stage in an attempt to steer the funeral back on course, leading to a ridiculous physical altercation between him and Sabrina that marks an embarrassing end to the funeral. After the proceedings, David, Sabrina, and Michael come to turn with their family’s Han: a Korean term used to explain intergenerational feelings of regret, sorrow, and resentment.

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Director's statement:

I need to tell this story because it speaks to my personal identity as an individual Korean-American trying to navigate the complexities of my culture while also feeling distanced by it. More so, I think this story is relatable not only to Korean-Americans but can be felt more broadly by immigrant communities, who similarly have to juggle the pressures of expectations, modern culture, and mental health. The concept of Han has always struck me as odd. An entire word dedicated to the prolonged trauma of colonization. The intergenerational nature of Han left me with questions about my own relationship with the term. Am I resigned to live with Han because of my genetics? Does my washed down nature shield me from Han? Is Han even a real, tangible thing? These questions encouraged me to seek to write and create this film that shapes this tension as something both absurd yet familiar.

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