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Weight Class

On the eve of his biggest wrestling match, a queer Sri Lankan American teen battling body dysmorphia makes a questionable choice in search of validation, forcing him to confront what it really means to be seen.
Genre: Drama
Shooting Location: East New York, NY
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Screenplay Synopsis:
Weight Class follows Nilan, a queer Sri Lankan American teenager and high school wrestler, as he struggles with body image, masculinity, and belonging. On the mat, Nilan is constantly dominated by his teammate Jack, a golden boy whose strength and swagger earn admiration from peers and scouts alike. Nilan, smaller and quieter, becomes the target of jokes that cut deeper than he admits. At home, Nilan’s mother works long hours and pins her hopes on his athletic success as a way out. His younger sister offers love and support, but even in his family Nilan hides parts of himself. Late at night, he turns to a hookup app, craving validation. The screen reflects the racism and rejection he faces, until one stranger, Brad, shows interest. When Brad asks for a photo, Nilan makes a split decision: he sends Jack’s picture instead of his own. The false attention gives him a fleeting rush, but also sets in motion a devastating chain of events. On the day of a crucial meet, scouts fill the bleachers alongside Nilan’s mother and sister. Just before his match, Brad arrives in person—only to connect with Jack, realizing Nilan’s deception. Whispers spread, eyes turn, and Nilan feels the weight of exposure pressing in from every direction: his teammates, the scouts, his family, and the boy he wanted to impress. The match begins, but Nilan is frozen, unable to reconcile the body he inhabits with the one he pretended to be. In the aftermath, he rides home in silence with his family. A Sinhala lullaby fills the car, his sister’s voice breaking through the tension. For the first time, Nilan allows himself to cry, revealing both the pain of invisibility and the fragile hope of connection.
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Director's statement:

I grew up in spaces defined by competition, masculinity, and strength: soccer fields, locker rooms, and weight rooms. Yet I always felt like I was performing a role that did not belong to me. I was small, queer, and constantly reminded of it. Teammates and coaches told me with words and looks that I did not measure up. Those moments left me hyper aware of my body, my voice, and my difference. As I got older, I realized that queerness did not automatically offer belonging. Within LGBTQ communities I felt pressure to meet ideals of masculinity and desirability that excluded me once again. At the same time, I carried the weight of straddling cultures, feeling that parts of my heritage needed to be hidden in order to fit in. These layers of identity, body, and belonging are at the core of Weight Class. This story needs to be told because body image, masculinity, and queerness collide in ways that are rarely represented on screen, especially for queer South Asian characters. We often see stories about bullying or coming out, but rarely the quiet, everyday pain of simply not fitting into the molds around us. Young people deserve to see that their struggles with invisibility and self worth are real, valid, and survivable. I needed that when I was younger, and I know others need it now. The film explores how shame can grow in silence, but also how connection can slowly bring light back in. It tells audiences who have felt “too small” or “not enough” that they are not alone. For communities outside that experience, it offers an entry point into empathy and understanding. My artistic approach is rooted in restraint and intimacy. I want the camera to sit with the discomfort, to let silence speak, and to capture the moments of vulnerability that often go unseen. This is not about spectacle but about honesty. I am ready to tell this story with care and craft. I have produced short films across a range of budgets, including a five thousand dollar film that premiered at Tribeca. Those experiences taught me how to stretch resources without sacrificing vision. With my team, I am prepared to bring Weight Class to life as both a deeply personal story and a necessary one.

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