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©2026 Kinolime Inc
411_WIRE \ Industry NewsPublished Oct 20, 2026 2 min read

Netflix Reports Box Office Grosses for the First Time as La Bola Negra

By Kinolime Editorial Team // Verified Human Journalist Review

Summary

The streamer broke with its longstanding secrecy on Sunday, posting a $69,375 per-screen average for Los Javis' Cannes prize winner.
"Netflix publicly reported theatrical grosses for the first time on Sunday, October 18, disclosing that La Bola Negra earned an estimated $277,500 from four theaters in New York and Los Angeles over its opening weekend, a $69,375 per-screen average, according to Filmofilia, High On Films and The Express Tribune, all citing reporting by Variety and Deadline. The film opened October 16 at the Paris Theater and Angelika in New York and at AMC Century City and AMC Burbank in Los Angeles. Filmofilia, citing Deadline, reported $108,300 on Friday and $84,600 on Saturday. Per Variety, as cited by Filmofilia, the opening is the highest average ever for a Spanish-language film and the second-highest for a non-English-language film, behind Parasite's $131,072 average from three locations in 2019.
The historical drama from Javier Calvo and Javier Ambrossi, known as Los Javis, draws on an unfinished Federico Garcia Lorca play and follows gay men across three time periods, with Penelope Cruz and Glenn Close in the cast. Los Javis shared the directing prize at Cannes, where Netflix reportedly acquired the film for about $5 million, and it won the audience award at TIFF, per Filmofilia and High On Films.
The Express Tribune reported that Netflix plans to report grosses for select upcoming releases including The Further Mis-Adventures of Cliff Booth, Narnia: The Magician's Nephew and the animated Charlie and the Chocolate Factory project. La Bola Negra expands before a wider release on November 6 and begins streaming December 2, which High On Films, citing the Los Angeles Times, described as a 45-day theatrical window."
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"For more than a decade, Netflix treated theatrical grosses as something close to a trade secret, and that silence shaped how the rest of the business valued its films. A title with no reported box office has no public evidence of audience demand, which makes it harder for theaters to program, harder for awards voters to read momentum, and harder for talent to measure what a theatrical run actually did for them. Reporting a number, even a small one from four screens, is a meaningful shift in posture. It suggests Netflix now sees theatrical performance as something worth advertising rather than something to downplay.
The choice of La Bola Negra as the first disclosure is not accidental. A limited platform release with a Cannes prize, a TIFF audience award and a record-setting average is about as favorable a debut as a reporting policy could get. The harder test comes with the bigger titles on the list, where wide releases produce numbers that can disappoint in public. Selective reporting also has limits, because a distributor that only discloses its wins will not earn the same trust as one that reports every weekend. Still, a 45-day window and published grosses are concessions exhibitors have asked for since Netflix first entered the awards race. For independent distributors, the move adds a large new competitor for platform screens in New York and Los Angeles during the fall, and those theaters have only so many weekends to give."

Source:

Filmofilia

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