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©2026 Kinolime Inc
411_WIRE \ Industry NewsPublished Sep 22, 2026 2 min read

Paramount Settles With State AGs and the WGA, Clearing the Last Hurdle

By Kinolime Editorial Team // Verified Human Journalist Review

Summary

The $110 billion merger can now move toward closing after California-led attorneys general and the Writers Guild both dropped their antitrust suits Monday
Paramount Skydance settled lawsuits from a coalition of 12 state attorneys general and from the Writers Guild of America on Monday, clearing the last major obstacle to its $110 billion acquisition of Warner Bros. Discovery, Deadline and Bloomberg reported. The states, led by California Attorney General Rob Bonta, had sued in July to block the deal on antitrust grounds, and a judge's temporary restraining order had already forced Paramount to delay closing past its original September 30 target. Under the settlement, Paramount commits to releasing at least 30 films a year for its first two years and 32 in each of the following three, backed by a $30 million per-film penalty if it falls short, with 90 percent of any penalty going to workers. The company also agreed to a $1.5 billion investment in domestic film production, a $47.5 million workforce development fund, and continued honoring of existing union contracts, while a Wall Street Journal report said Paramount will not be required to sell any cable networks. The WGA said in a statement it "could not be successful in blocking the merger" but that pursuing the case alone through trial, without the states' backing, would have cost millions of dollars the guild did not think were justified. Paramount CEO David Ellison called the settlement "complete clearance for this merger."
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The Kinolime Lens
The film-release quota is the detail independent producers and below-the-line crews should read closely. A studio contractually obligated to release 30, then 32, films a year needs a steady supply of mid-budget and genre titles to hit that number alongside its tentpoles, not just franchise sequels. That is a structural argument for more acquisition activity and more greenlights at the level independent filmmakers actually compete in, assuming the combined company follows through rather than paying the penalty instead.

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NBC News

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