Kinolime
  • Competitions
  • Sign in
Kinolime
  • Competitions
    • Submit a Screenplay
    • Competition Rules
    • Competition Hub
    • Production Hub
  • Media
    • Podcast Hub
    • News Hub
  • Learn
    • Screenplay Coverage
    • Screenwriting Guides
    • Courses
    • How it works
    • Explore the Filmmaking Process
  • Community
    • NXT World
    • Kino Lounge
    • Blog
    • Library
  • About
    • Careers
    • About
    • Contact us
    • Press
  • Help Center

Competition

Home pageCompetition HubHow It WorksSubmission Release

Company

About KinolimePressCareersBlogContact us

Site Info

Privacy PolicyTerms of ServiceTerms & ConditionsCode of ConductAccessibility Statement

Resources

How to read a Screenplay?What is Screenplay Coverage?Podcast HubLearnSupport Centerwww.kinolime.in
Kinolime
Follow us on social:
©2026 Kinolime Inc
411_WIRE \ Industry NewsPublished Sep 22, 2026 1 min read

Werner Herzog Warns Against AI and Pays Tribute to Outgoing Director

By Kinolime Editorial Team // Verified Human Journalist Review

Summary

Accepting his own Donostia Award Friday, the director said life "should not be dictated by algorithms," at a ceremony that also addressed the war in Gaza and honored retiring festival chief Jose Luis Rebordinos
Werner Herzog opened San Sebastian's 74th edition by receiving the festival's Donostia Award on Friday night, using his acceptance to warn against artificial intelligence's growing role in filmmaking, telling the crowd that life "should not be dictated by algorithms," according to Spanish and international outlets covering the ceremony. Orlando Bloom, who stars in Herzog's upcoming Bucking Fastard, presented the award, calling the 84-year-old director "a treasure of cinema" and praising his willingness to follow an idea "even when it leads somewhere completely unexpected." Herzog traced his connection to the Basque region back to a walk across the Pyrenees decades ago, tied to his 1972 film Aguirre, the Wrath of God. The same ceremony's hosts, Fariba Sheikhan and Mariona Terés, called for an end to "the genocide happening in Gaza" and voiced support for Yuval Abraham and Rachel Szor, the Israeli co-directors of the documentary Naza, who have faced calls from Israeli government officials to be stripped of their citizenship. The evening also paid tribute to outgoing festival director Jose Luis Rebordinos, who steps down after 17 years leading San Sebastian; Carlos Prada, an executive at Warner Bros., thanked him from the stage. The opening film was Fatih Akin's Ghost Song.
Share Wire:
The Kinolime Lens
Herzog has spent six decades resisting easy categorization, so an AI warning from him carries a different weight than the same line from a studio executive or a guild statement. He is not arguing from a labor position, he is arguing from a filmmaking one: that something in the work itself, the unpredictability he credited for his own career, is what is at stake. Coming from a director this far outside the studio system, it is a useful reminder that the AI debate is not only about jobs and residuals, it is also about what kind of films get made at all.

Source:

Hollywood Reporter

Corrections:

No corrections.

Contact:

See an error? Contact us