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Hoops

Nate, an Indigenous boy, has big dreams of making Fernley's basketball team with friends, but when he discovers he's leaving forever, he struggles with a past he can’t leave behind.
Genre: Drama
Shooting Location: Fallon, NV • Fernley, NV
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Screenplay Synopsis:
Nate, 13, a Western Shoshone boy living in rural Nevada, makes a pact to join next year’s basketball team with best friends Jace and Brian. They promise to train every day that summer. At home, Nate’s mother, Carrie, reveals they will move that summer to California— crushing Nate’s small town dreams. As he makes preparations, Nate remembers a night his father, Pop, pulled him from a wrecked car and disappeared into the night before authorities arrived. Present-day, Nate struggles to tell his friends the truth as they begin their “training”. They play pickup at a local park. Brian launches into a monologue about their basketball prowess which angers a group of teenagers. They reveal one of their fathers arrested Pop after the accident. They settle things with a game, ending in Nate going for a winning shot before being shoved to the ground,knocked unconscious. In a flashback, Nate remembers Pop teaching him basketball fundamentals on their Pai-Sho reservation court. Pop likens basketball to their way of life and spirit, and urges Nate to keep at it. Brian slaps Nate awake and the trio decide to enjoy their day, running wild through town. After the friends part, Nate discovers Pop outside his home, out on bail, hurrying to leave. Nate confronts his father, saying he is still practicing. Summer ends, Jace and Brian say their goodbyes and give Nate a basketball. Nate, more at peace with his past, hugs them. They promise to keep playing together. In a dream-like sequence, we see flashes of the friends in different basketball team uniforms and Nate’s reservation.
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Director's statement:

This will be a film about home, dreams, memory, and connection. This is a very special film. As someone who grew up in several small, predominately white, rural towns, I’ve continuously asked myself: how do I retain my own sense of belonging as an Indigenous man? This film is first and foremost for folks who’ve left their home–and how they reconcile that. I believe we reclaim agency through images. My childhood reservation home, painted in bright blue government paint, plays a pivotal scene in Hoops with its shoddy outdoor basketball court. Authentic storytelling enhances this coming-of-age drama to something relatable. To illustrate Nate's perspective, we’ll shoot on 16mm. Test rolls of 250D reveal our living, breathing Nevada. The one Nate leaves. Revealing his emotional state through fragmented, adolescent memories. From a production standpoint, we are taking film cameras with bare-bones crew and non-actors to the middle of a Nevada desert. I know we’ll capture some magic naturally. Shooting this way allows me to be more intentional with framing and the space I create on set. It also inspired me to learn Shoshone through weekly classes I found while casting. Better understand my own source material. Adding sound design details I wouldn’t have considered. This journey of self-discovery continues to guide the development process. Ultimately, Nate’s journey confronts his past to see towards the future. Will this trauma affect him like it did his father, or not? How can he do the right thing? Hoops embraces a child’s perspective of the world. One we all have access to within ourselves. Hoops centers a Native child’s joy and dreaming in the most unlikely places, I grew up in a tough environments, but oddly, I found my humor, creativity and artistic sensibility there. Involving that same community has been a wonderful experience from our fundraiser, to casting, to folks suggesting lines in Shoshone...”no nagies!” I want to make this for them. We have a special project here that centers pickup basketball. It's the most accessible way to play the game, from cities to small rural towns can play it. You don’t need to be on a team or league, it’s for everyone. To me, this story is about self-preserving. To Nate, his family, and people, relocation is too common. This story demands to be told. We all need to find what grounds ourselves. I see Hoops having a long festival run alongside community screenings. We've already gotten a few community centers interested! So how can we bring this film to the people it's about? We are already dreaming up what Hoops could be in the next few years.

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